تفاصيل مؤامرة من إميلي في باريس الموسم 2 Plot details information from Emily in Paris Season Two
مسلسل إيميلي في باريس الجزء الثاني
This story contains plot details from Emily in Paris season two
بعد أن حصل الموسم الأول على المشاهدة الكبيرة التي حققها مسلسل Emily In Paris على Netflix،
أعلنت المنصة عن موسم جديد للمسلسل.
أعلنت صفحتها الرسمية على تويتر، أكدت Netflix عودة المسلسل حيث نشرت فيديو لأبطال العمل وهم يكرّرون الرقم إثنان باللغة الفرنسية في إشارة إلى "الموسم الثاني
وأعلنت الشركة المنتجة لمسلسل Emily In Paris أنّه على إميلي أن تبقى في مدينة باريس لفترة أطول، ربما لتتعلم بعض الكلمات الفرنسية هذه المرة لتتحدث بها في الموسم الجديد، بعد معاناتها في الموسم الأول من فهم الكثير من الكلمات.
وتدور أحداث المسلسل حول مديرة تسويق طموحة في العشرين من عمرها من شيكاغو، حصلت بشكل غير متوقع على وظيفة في باريس عندما استحوذت شركتها على شركة فرنسية للتسويق الفاخر، تم تكليفها بتجديد استراتيجيتها الخاصة بوسائل التواصل الاجتماعي، وتشرع في حياة جديدة في باريس مليئة بالمغامرات والتحديات
.
Plenty has been said about Emily in Paris’s young marketing whiz, Emily Cooper (Lily Collins)—who landed in the City of Light with little savoir faire in regard to the French language or customs, then paraded around the city in wildly colorful and eclectic designer ensembles that a 20-something junior executive couldn’t possibly afford sans trust fund. But that wardrobe critique is peu importe to the Netflix show’s costume designer, Marylin Fitoussi, and costume consultant, Patricia Field.
Fitoussi, who’s French, is well aware that expat Emily doesn’t dress like a Parisian. “The French….like plain things,” she says during a Zoom chat with Vanity Fair. “For them, if you are dressed in color and with pattern, you are not chic at all.” She knows this firsthand: She wears both, and has been called a “parrot” and a “clown” on the streets of Paris. For her part, Field is unbothered, saying via email, “From the reaction that I have received from viewers, there is a huge interest and acceptance of the wardrobe.”
In the beginning, Fitoussi actually took a more practical approach to Emily and company’s apparel. But when she put Emily’s then nanny friend, Mindy (Ashley Park), in “comfy clothes with a pair of sneakers” last season, she saw showrunner Darren Star and Field exchange looks. Star wondered about the sneakers; Fitoussi explained that they were so Mindy could run after her charges. “They said, ‘No, no, no, we’re doing a romantic comedy. So we don’t care about reality. And that [became] rule number one.”
Collins recently told Glamour that Emily’s sartorial style has evolved a bit, and Field agrees that the Chicago native is a bit more sophisticated this season. But while she wears fewer layers in season two, the hats, gloves, and seemingly infinite number of high-end bags remain. “The formula is a combination of ringarde, Midwestern, Parisian, and Emily-optimistic,” Field explains, referring to the French word the show translates to “basic”—a label couturier Pierre Cadault (Jean-Christophe Bouvet) slapped on Emily last season. (Her Savoir work colleagues were more savage, calling her la plouc—“the hick.”)
Meanwhile, Camille (Camille Razat)—Emily’s French friend and unintended romantic rival for her chef neighbor, Gabriel (Lucas Bravo)—and Emily’s refined boss, Sylvie (Philippine Leroy-Beaulieu), remain effortlessly chic in their monochromatic and muted-color silhouettes. That’s particularly clear in season two’s opener, when Emily struts into the office wearing a green, pink, and turquoise ribbed Versace sweater; a green geometric Mugler vintage skirt; and a green Elie Saab oversized mini coat. Camille, meanwhile, wears a simple black-and-white Balmain jacket and black Patou pants for their meeting about Camille’s Champère campaign.
Throughout the series, Collins and Park—whose Mindy is now Emily’s flatmate, as the disowned zipper heiress tries launching a singing career—continue to be decked out in exuberant outfits. At her courtyard birthday fête in episode three, Emily is perfectly soignée in a Rotate Birger Christensen black mini-bow dress (later topping it with a colorful kimono), while Mindy dresses to impress in a chartreuse Oscar de la Renta sleeveless long frock.
“I don’t buy things because it’s a brand [or] a logo, or it’s expensive,” Fitoussi explains. “I’m just painting a character. So if the pieces that I find…help me to build this character, okay, I [buy] it. Pat doesn’t care about that because she’s used to working with a higher budget. In France, we don’t have such high budgets.”